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1 | initial version | posted 2014-01-19 15:09:15 +0200 |
Having a blue overlay in the manual camera settings screen makes it damn near impossible to choose the correct color balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.
2 | No.2 Revision |
Having a blue overlay in the manual camera settings screen makes it damn near impossible to choose the correct color balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.
3 | No.3 Revision |
Having a blue overlay in the manual camera settings screen makes it damn near impossible to choose the correct color balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.
Having a blue overlay in the manual camera settings screen makes it damn near impossible to choose the correct color balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.
5 | No.5 Revision |
Having a blue coloured overlay in the manual camera settings screen makes it damn near impossible to choose the correct color balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.
6 | No.6 Revision |
Having a coloured overlay in the manual camera settings screen makes it damn near impossible to choose the correct color white balance without resorting to trial and error.
If there were at least a small "window" of the actual camera view, that might be enough to serve as a WYSIWYG for white balance.